Design Culture Salon 3 – Design Activism: how does it change things?

Design Culture Salon

Tuesday 26 February 1900h-2030h
Hochhauser Auditorium, Sackler Centre, V&A

Panelists:
Jody Boehnert (EcoLabs)
Jonathan Chapman (University of Brighton)
Noel Douglas (Occupy Design)
Paul Micklethwaite (Kingston University)

Climate change, resource scarcity, economic crisis and struggles for social justice have given rise to new movements in design that seek more than creative and commercial fulfilment. What models of design practice support this? How might design work with other activist practices? What role do universities and museums have? How can design activism work with marginality?

Free, but booking is essential:: http://www.vam.ac.uk/whatson/event/1971/date/20130226/

The Panel

Jody Boehnert is an environmental communicator, designer, educator and activist who lives in Brixton. She is founding director of EcoLabs (http://eco-labs.org)
– a non-profit studio visualising complex environmental issues and recently completed an Arts and Humanities Research Council funded PhD titled: ‘The Visual Communication of Ecological Literacy: Design, Learning and Emergent Ecological Perception’ at the University of Brighton…

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Face Shields and Time2Act Exhibition

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On exhibition this week at London College of Communication is a series of eight iconic Face Shields and four panels from the Time2Act exhibition from Climate Camp 2007 at Heathrow Airport. Both bodies of work are important artefacts from the recent history of environmental activism in the UK.

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Design History Society does Design Activism

I returned last night from four busy days at the Design History Society’s Design Activism and Social Change conference in Barcelona. Convenor Guy Julier has a more thorough conference blog here. The conference provided a space to debate emergent themes in design activism: politics and design, ecology and design, the role of agency, reflection vs. action, the importance of the language we use, peak oil and the capacity of design to address social and environmental problems within capitalism and current forms of democracy. The event started well with Henk Oosterling’s keynote describing a movement to a philosophy of relations. Attempts to repress ontological connectedness are destructive and a role of design is now to internalise what is currently externalised in order to better reflect the essential conditions of connectedness.

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Hopenhagen: Design Activism as an Oxymoron

Hopenhagen was an initiative by the International Advertising Association in support of the United Nations at the UN Climate Change Conference (COP-15) in Copenhagen December 2009. The UN Secretary-General Ban Ki-moon UN asked for help from the international advertising industry at Davos in January 2009. Hopenhagen took the form of an international public relations campaign culminating with an installation in the public square in central Copenhagen during the COP-15 summit. Hopenhagen created a feel good façade where corporate sponsors were helping governments save the world.

Meanwhile, many of the thousands of climate activists congregated in Copenhagen for the summit found Hopenhagen so offensive that they made the campaign and installation itself an object of their protests. Hopenhagen is a classic example of corporate appropriation of people’s movements and the subsequent neutralization of the messages demanding structural change and social justice. As such, Hopenhagen embodies the conflict within the concept of design activism itself. While design functions predominately as a driver of consumption, consumerism, globalization and unsustainable behavior; activism is concerned with social injustice and environmental devastation. Activists struggle to combat the forces of globalization by forming social movements and resisting corporatisation of the commons and everyday life; designers are normally servant of corporate entities. These two forces are integrally at odds.

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