Reflecting on Relating Systems Thinking and Design (#RSD11) “Possibilities and Practices of Systemic Design”

Perhaps I am biased because I did my PhD at this university, but last month’s Relating Systems Thinking and Design (RSD11) “Possibilities and Practices of Systemic Design” at the University of Brighton felt to me like the most ecologically engaged design conferences I have yet to attend. The RSD11 community are working in a wide variety of ideas and practices for systemic design. Often this work includes a focus on justice-oriented design for sustainable transitions. RSD11 included an impressive stream on confronting legacies of oppression. The systemic design research community (now formally established as the Systemic Design Association) has developed theories and practices over the last decade that are now being advocated by the UK Design Council as a design approach for Net Zero. There was so much good content I made some time to capture and share just a few moments, ideas, and reflections on key themes that I consider to be particularly relevant to current debates in design theory and education.

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I will start with the Tony Fry, one of strongest voices on designing viable futures in an era of planetary crises. Fry emphasises that we must be careful about the definition of “sustainability” to build capacity to move beyond “sustaining the unsustainable” – which sadly characterises the defuturing work in much of the design industry today. Moving beyond defuturing practice will be done by “redesigning design” and depends on an expansive design practice and “informed futuring” based on critically and ecologically engaged design education.


This design education theme emerged in Fry’s keynote in response to a question by System Design Association’s board chair Silvia Barbero. The popularity of this theme is evidenced in Dan Lockton’s popular tweet (below) – and as a topic of conversation in the final panel and plenary. Judging by nearly two hundred people on Twitter alone are concerned about the capacity of design education to deliver the types of knowledge needed to meet design challenges of the futures. We discussed the narrow and instrumental focus of attention in some design schools and how this impacts our attempts to advance responsible design, design for sustainability, social design, decolonising design, etc.

On the topic of sustainability, systemic design has recently been recognised as a means of addressing climate change by the UK Design Council in the Beyond Net Zero: A Systemic Design Approach report. Numerous sessions presented strategies for redirecting designed worlds for dramatically reduced GHG emissions (including my own mini-workshop).

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Design’s role in reproducing or even creating new discriminating structures and systems – or, alternatively, creating liberatory ones, was developed in the many sessions in the “Confronting Legacies of Oppression in Systemic Design” stream. Social justice oriented ideas have made impressive progress over the last five years in design theory and this was very much evident in these sessions. There was also time to consider some of the challenges this community faces now that our ideas are gaining some legitimacy in institutional spaces.

Josina Vink facilitated an intense fishbowl where tensions were discussed. One particularly troublesome issue that arose in this space and a problem that exists as real threat to both the justice-oriented design community and the sustainable design community, is the issue of appropriation.

Appropriation occurs where ideas generated in the margins of dominant discourses (often by marginalised groups) are extracted from the communities that have nurtured these ideas and practices, decontextualised, rinsed of their transformative potential, and used in ways that destroy the value of the idea or practice. Some examples of appropriation could be:

  • Where people who are not engaged in a field (or in a particular social or environmental struggle) assume they can re-define key terms – and typically do this in ways that undermine the concept and its potential to enable social change.
  • When an important sustainability or social justice concept is used in ways that undermines and/or neutralises it.
  • When environmental ideas / social justice concepts are used in inappropriate ways to greenwash or whitewash unsustainable or oppressive, discriminatory, and unethical practices.
  • When academics use the ideas and work of activist-scholars without citation.
  • Where progressive ideas are used as statements of intent or vision statements with no attempt to put the ideas into practice.

The list above is a partial list of the various ways that the appropriation of the language of justice and sustainability devalues the work of scholars and activists who leading these movements. This list describes just a few ways appropriation can happen in academic spaces. Appropriation not only delays (or wrecks) progressive movements – but it also harms individuals working (often on the margins) for social change. Appropriation was a dominant theme in the fishbowl as those who have been involved with building capacity for social change in design witness the appropriation of their work.

Also speaking to the theme of justice was Lesley-Ann Noel who described the work of moving beyond good intentions: “learning how to see oppression so we don’t reproduce it.” Noel highlighted Arturo Escobar’s version of the pluriverse in design theory and asked: “could design be guided by different design principles?” Noel presented her “positionality wheel” as a tool to prompt reflection and better understand power, agency, and relationality.

Another highlight was Mathilda Tham’s keynote, with her Earth Logic proposal, and metadesign practice. There were many helpful reflections here. The idea about the importance of self definition (see below) for feminist designers struck me as particularly helpful, and echos Noel’s ideas on positionality – especially for designers who are advocating on behalf of traditionally marginalised groups.

Danah Abdula described the contradictions of sustainability in graphic design. This keynote illustrated the various ways graphic design is so complicit with greenwashing – but also, potentially, able to help re-imagine and remake the material world. Abdula’s presentation illustrated the politics in communication design and how agency is diminished with uncritical approaches to communication design. The article Against Performative Positivity captures these themes in more detail.

Peter Stoyko presented his new Pattern Atlas that I highly recommend checking out for those interested in systems and/or illustration. There are lots of creative commons resources here that can be freely used in systems mapping and other work.

Also see Chantal Spencer’s paper on participatory research with insights on inclusive practices.

Finally, System Design Association’s Board Chair Silvia Barbero discussed the role of designers and systemic design in planetary health using the Planetary Health Framework. She played the “Nature Is Speaking” video below. I am sharing here as a good example of story telling on the environment.

For RSD11 colleagues, please forgive me but I can only capture a few moments of so much good content. This blog is very partial. I have not even made time to describe my own mini-workshops on net zero or a second one on design education. These were good too! I want to thank the whole team at the University of Brighton for hosting such a great event. Also thanks to everyone involved with building the Systemic Design Association from scratch over the last 11 years. I have learned to much from this community since I attended RSD1 is Olso – and this was probably the best conference yet. Papers and posters are on the SDA website.

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Beyond Anthropocene Ontopolitics

Last week I presented a keynote at the Design History Society Annual 2022 Conference in Ismir Turkey on the theme of Design and Transience. My talk was called “Design History and Design Futures: Beyond Anthropocene Ontopolitics.” I used the time to consider how design history might look at design artefacts and designed systems if we were to consider all design through the lens of ecological entanglement. This is not a minor difference from the current way of thinking about design.

Design has a pivotal role to play in creating new sustainable ways of living on this planet. But changing direction in design involves moving away from some of the assumptions that are propelling unsustainable and defuturing design practice. Design is evolving in response to debates that have emerged over the past 50 years as the sciences, the social sciences, and the arts integrate ecologically engaged ways of knowing into knowledge systems that have traditionally erased the ecological. This theory can inform the dialogue between design history and design futures. Examining the assumptions embedded in ideas, priorities and value systems that inform design history, we can potentially create space for new agencies for regenerative design futures.

In response to feedback I received at the conference I am going to develop the paper by applying the theory to some historic examples of “good” design. If we apply a lens consistent with Anthropocene ontopolitics, many examples of good design will need to be re-evaluated. I am interested in your opinions readers so if you have any examples of design artefacts that should be evaluated through the lens of ecological entanglement, please feel free to comment below or message me.

I’ve uploaded “Design History and Design Futures: Beyond Anthropocene Ontopolitics” keynote for the Design History Society’s 2022 Annual Conference on Design and Transience to slideshare (link below). I’ve only included slides with quotes, along with AI images – they can be downloaded. My own words will be in the upcoming paper.

All AI generated images and slides are published as Creative Commons – Attribution and Share-alike. More images can be downloaded on Instagram here.

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Surviving climate change means transforming both economics and design

What could be more important than sustaining habitable living conditions on Earth? Climate change, biodiversity loss and other environmental problems demand changes on an order of magnitude well beyond the trajectory of business-as-usual. And yet, despite accumulative social and technological innovation, environmental problems are accelerating far more quickly than sustainable solutions.

The design industry is one of many industries mobilising to address environmental imperatives. While sustainability-oriented designers are working towards change from many angles, addressing climate change and other environmental problems on this scale demands much more dramatic transformations in economic ideas, structures and systems that enable – or disable – sustainable design.

Put simply, designers cannot design sustainable future ways of living on scale without a shift in economic priorities. Human impacts on planetary processes in the Anthropocene require new types of ecologically engaged design and economics if the necessary technological, social and political transitions are to take place.

World making design

Design is crucial to this debate because it is key to the creation of future ways of living. Designers make new ideas, products, services and spaces desirable to future users. With the shape of a font, a brand, the styling of a product, the look and feel of a service, the touch of a garment, the sensation of being in a particular building, designers serve the interests of customers (generally, those with disposal income). They do so according the logic and modes of governance generated by what is valued by economic structures. Design is the practice that makes capitalism so appealing. Continue reading

Design as Symbolic Violence. Design for Social Justice. A Conversation @DRS2016uk

This conversation will take place at Future Focused Thinking, the Design Research Society conference in Brighton in June 2016.

Design embeds ideas in communication and artefacts in subtle and psychologically powerful ways. Sociologist Pierre Bourdieu coined the term symbolic violence to describe how powerful ideologies, priorities, values and even sensibilities are constructed and reproduced through cultural institutions, processes and practices. Through symbolic violence, individuals learn to consider unjust conditions as natural and even come to value customs and ideas that are oppressive. Symbolic violence normalises structural violence and enables real violence to take place, often preceding it and later justifying it. Feminist, class, race and indigenous scholars and activists describe how oppressions (how patriarchy, racism, colonialism, etc.) exist within institutions and structures, and also within cultural practices that embed ideologies into everyday life.

The theory of symbolic violence sheds light on how design can function to naturalise oppressions, and then obfuscate power relations around this process. Through symbolic violence, design can function as an enabler for the exploitation of certain groups of people and the environment they depend on to live. Design functions as symbolic violence when it is involved with the creation and reproduction of ideas and practices that result in structural and other types of violence. Breaking symbolic violence involves discovering how these processes work and building capacities to challenge and transform dysfunctional ideologies, structures and institutions.

Organizing questions

1. How do designers participate in symbolic violence?
2. How can designers reveal and undo symbolic violence?

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Workshop at #COCE2015 – The Visual Communication of the Environment in Theory and Practice: Nurturing Relational Perception

This Saturday 4pm workshop at The 2015 Conference on Communication and Environment in Boulder ‘Bridging Divides: Spaces of Scholarship and Practice in Environmental Communication’  will start with an illustrated theoretical introduction that will display and describe specific visual strategies to communicate environmental information. The session will be followed by an design critique. The design crit is a foundational practice in design education for developing creativity, visual literacy, communication expertise and design skills. It will provide a setting for evaluating and refining individual samples of visual communication design in response to the objectives of each particular piece of work. It will give participants an opportunity to discuss specific examples of visual communication on the environment. The examples for discussion can be submitted by email by anyone interested in participating in this workshop.

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Image-makers have the unique ability to make invisible ecological processes and relationships visible, tangible and accessible. Within the context of an increasingly visual culture, images have potential to nurture the development of new perceptual capabilities and encourage relational perception. Graphic design is well suited to facilitate environmental learning since it can draw on a wide variety of visual strategies to display specific geographic spaces, ecological processes, abstract concepts and future scenarios. With design strategies, image-makers can reveal relationships, patterns and dynamics in complex systems. For these reasons, graphic design has exceptional potential to support relational perceptual practices and ecological literacy.

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More information on this workshop can be found here. 

Mapping Climate Communication: No.1 Climate Timeline and No.2 Network of Actors

The Mapping Climate Communication Project illustrates key events, participants and strategies in climate communication.

1) Climate Timeline visualizes the historical processes and events that have lead to various ways of communicating climate change. Key scientific, political and cultural events are plotted on a timeline that contextualizes this information within five climate discourses. These reveal very different ideological, political and scientific assumptions on climate change. A clearer version of the timeline is available here. Download a PDF here and a JPEG here.

Climate Timeline

Climate Timeline

2) Network of Actors displays relationships between 237 individuals, organizations and institutions participating in climate communication in Canada, United States and the United Kingdom. A clearer version of this graphic is available here.

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Details about this project can be found in the Mapping Climate Communication: PosterSummary Report. This report can be downloaded here.

The maps reveal how specific details in climate communication are contextualized within complex debates. For example:

  1. How does a climate march impact the volume of media coverage of climate change?
  2. How does the work of the climate denial industry potentially impact climate policy?
  3. Do popular movies and books on climate result in activity in the climate movement?
  4. What are the relationships between organizations active in climate communication?

By illustrating key events and actors over time and within five discourses this work makes links between disparate factors and reveals dynamics that contribute to public understanding of climate change. The project also explores politicised issues in climate communication by using a discourse approach to analyse the various strategies and ideologies held by those organizations, institutions and individuals participating in climate communication in the public realm. This report describes the impact of neoliberal dogma and modes of governance on climate communication as one of the central problems preventing a global response to climate change. Theorizing the impact of neoliberalism on climate change communication and policy is key to an understanding of why emissions continue to rise despite the significant work by the climate science community and the environmental movement over the past four decades.

Mapping Climate Communication, new posters July 2014

Mapping Climate Communication: Timeline

This series of three posters maps climate communication by means of a timeline, a network visualization and a strategy map. The work illustrates
relationships between climate discourses, prominent actors and major organizations participating in climate communication including science institutions, academic institutions, media organizations, think tanks and government agencies – along with the interests and funders linked to these organizations. Various discourses are mapped including climate science; counter-movements (contrarianism); ecological modernization, neoliberalism and corporate capture; and social movements (climate justice). The timeline visualizes the historical processes that have lead to the growth of various ways of communicating climate change. The network visualization illustrates relationships between actors and prominent discourses. The strategy map displays methods used within four discursive realms.

The posters are still work in process. They will be presented at the ‘Changing Climate Communication’ conference in July 2014. Feedback from this presentation will inform a final stage of the visualizations, to be completed in September 2014.

No.2 Network of Actors, USA and UK Based Organizations and Individuals.  Version 1. July 2014

The poster illustrates relationships between prominent actors and major organizations participating in climate communication. These include: science institutions, media organizations, think tanks, government departments, non-governmental organization (NGOs) and individuals – along with some of the more significant funders. Actors are situated within four discursive realms: climate science; counter-movements (contrarianism); ecological modernization (often neoliberalism); and social movements (climate justice). These four discourses are mapped on a framework wherein actors are colour-coded according to where they are situated. In this first version the colour, the size of the circles and their positions are all speculative. Subsequent versions will use different methods for plotting the actors and linking the nodes.

 

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Design/Ecology/Politics: Towards the Ecocene

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Today I signed a contract with Bloomsbury Academic Publishers for a book called Design/ Ecology/ Politics: Towards the Ecocene, due to be published 2018.

Design/Ecology/Politics describes a powerful role for design making sustainable ways of living – but only once informed by ecological literacy and critical perspectives. Instead, the design industry normatively perpetuates unsustainable development. When design does engage with issues of sustainability, this engagement typically remains shallow due to the narrow basis of analysis in design education and theory. The situation is made more severe by design cultures which claim to be apolitical. Where design theory fails to recognise the historical roots of unsustainable practice, it reproduces old errors. New ecologically informed design strategies hold promise only when incorporated into a larger project of political change.

Bringing design, ecological and socio-political theory together, I describe how power relations are constructed, reproduced and obfuscated by design in ways which often cause environmental and social harms. Communication design can function to either conceal or reveal the ecological and social impacts of current modes of production. Revealing these dynamics creates new possibilities for transformative practice. This change-making potential of design is dependent on deep-reaching analysis of the problems design attempts to address. Ecologically literate and critically engaged design is a practice primed to facilitate the creation of sustainable and just futures. With this foundation, designers can make sustainability not only possible, but desirable.

 

It will be available in February 2018 for £19.99.

Visualizing the Environment and the Politics of Representation

sea ice volume12:00 – 1:00 PM, 16 April 2014. Center for Science & Technology Policy Research Noontime SeminarSpring 2014 Series.

Institute of Behavioral Sciences, 155 B  (webcast live). Grandview Avenue. University of Colorado in Boulder.

This talk will introduce the many ways that images work to communicate environment issues. With the rise of data visualization, new mapping strategies, network visualizations and other types of information design, images are increasingly being mobilized to support environmental learning. Images can be powerful tools capable of supporting public understanding of the environment while also potentially influencing behavior and social norms. Images can work to make complex information accessible in ways that are especially well suited for environmental communication since they have the unique ability to reveal relationships, patterns, dynamics and causality in complex socio-ecological systems. On the other hand, within the politically and ideologically loaded terrain of environmental communication, images are also capable of concealing tensions, complexities and interests behind environment problems. Images are regularly used to reproduce the perspectives of powerful interests, often in ways that obscure environmental circumstances and the consequences of various types of industrial development and consumption patterns. Visual representation of the environment embodies political and philosophical assumptions about the capacity of the natural world to sustain continued abuse along with other associated notions of human-nature relations. This talk will examine how images are used to both reveal and conceal environmental circumstances with examples of particularly effective, politicized and/or disingenuous visualizations of the environment.

 

Design vs. the Design Industry – Paper for the DRS 2014

Design vs. The Design IndustryPaper to be presented at Design Research Society’s conference DRS 2014.

Design can be understood as a practice that evolves as new cognitive and perceptual capacities enable a greater understanding of complexity, context and system dynamics. These emergent capacities create greater potential for social and technological innovation. This paper will argue that despite emergent skills, designers are not able to effectively address contemporary problems in a sustainable manner due to the systemic priorities of the design industry. This paper theorises ‘design’ as the professional practice of creating new products, buildings, services and communication as a broader practice than the work that is produced within the ‘design industry’. The design industry operates according to highly reductive feedback generated by capitalism that systemically ignores signals from the ecological and social systems. The exclusive focus on profit results in distortions of knowledge and reason undermining prospects for the design of long-term prosperity within the context of the current political/economic regime.

Download the paper here.

EcoLabs is moving!

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In Colorado, I will be working on visualising issues of the green economy and climate communication discourses. This work would be situated in the Integrating Activities research theme at CIRES will focus on the visual communication of complex ecological problems. This practice-based research would facilitate interdisciplinary collaborations and learning thereby contributing to greater capacities to respond effectively to environmental problems.

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Review of DRS//CUMULUS Oslo 2013 – 2nd International Conference for Design Education Researchers

Designing Learning for Tomorrow: Design Education from Kindergarten to PhD
DRS//CUMULUS Oslo 2013 – 2nd International Conference for Design Education Researchers

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Oslo Opera House and skyline

I travelled to the DRS//CUMULUS Oslo 2013 – 2nd International Conference for Design Education Researchers with some trepidation. While I have high expectations of the content produced by the Design Research Society (DRS) and was already intrigued by some of the papers and keynotes, my concerns emerged from what I am witnessing in design education in the UK. I was travelling to Oslo supported by a crowd funding campaign rather than the institution where I had been working when I wrote my paper. As an advocate of sustainability literacy and an early career researcher witnessing (and feeling) the impact of the austerity agenda in higher education in the UK, I wondered if the conference would rise to the challenge of confronting the most serious issues in design education.

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EcoLabs: Ecoliteracy at the Manchester International Festival

RED-ARROWEcological Literacy at MIF

Dr. Boehnert from EcoLabs will be talking how ecological literacy transforms the ways we understand sustainability at a free public talk for the The Biospheric Project at the Manchester International Festival.

Thurs 11 July
6-8pm
Designing the City

Designing the City considers how innovative design and architecture can tackle the need for more sustainable and ecologically efficient cities.  Our speakers Jody Boehnert from Eco-Labs and Michael Pawlyn from Exploration Architecture, will discuss their different approaches to embedding ecological principals into education and using nature’s models within architecture through bio-mimicry. Chair: Gavin Elliott Chair of BDP Manchester

 

Ecological Literacy in Design Education: A Foundation for Sustainable Design

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The paper ‘Ecological Literacy in Design Education: A Foundation for Sustainable Design’ has been accepted for the Design Research Society  // CUMULUS 2013 2nd International Conference for Design Education Researchers in May 2013. This paper is available for here for free but it will only be published and presented at the conference proceedings if I am able to find sponsors. THANK YOU to everyone who helped raise the money for this presentation! The crowdfunding campaign worked and I will present this paper in Oslo next month.

Ecological Literacy in Design Education: A Foundation for Sustainable Design

Abstract: Responsible design in an era of scarcity and risk associated with environmental problems must be ecologically informed. Ecological literacy is necessary in order to both understand the nature of environmental problems and to respond effectively by designing sustainable ways of living. Embedding ecological literacy into design education is happening at the most progressive institutions – and yet for many others, sustainability education is still virtually absent from the curriculum. Progress is slow despite the fact that natural scientists warn that risks will escalate if we do not take dramatic action. Ecological literacy is a severe challenge as it disrupts educational cultures and challenges basic assumptions about what constitutes good design. While sustainability can seem profoundly difficult, ecological learning is the basis for sustainable design and thus it is a basic imperative in design education. Design education needs to expand its scope of inquiry to include a range of disciplines in order to address complex environmental problems. This paper will present an introduction to ecological literacy for design education, describe six ecological principles including associated concepts in systems design, and explain why critical thinking is necessary to make the work of transforming structurally unsustainable systems possible.

Keywords: sustainability, philosophy, design education, knowledge, ecological literacy, epistemology, philosophy of design education, multidisciplinary design education

The paper can now be downloaded from the EcoLabs website here.

The slideshow of the presentation can be accessed here.Nature-Patterns2012M

 

 

 

 

 

 

 

 

 

 

 

BIG THANKS to everyone who made it happen by supporting the crowdfunding compaign. On Twitter you are: @Ian_Willey @blindspotting @hugh_knowles @karinjaschke @sDesignLabs @paul_chandlerUK @sorafferty and @jenboehnert. Some of you are not on Twitter (as far as I can tell) and you are Richard Owen Frost, Prof. Gregory Stock, Jonathan Crinion, Joel Davis, Ali Hodgson, Chris Kitchen and a few Anonymous contributors.

A Critical Look at RSA and TSB’s ‘New Designs for A Circular Economy’

In the UK social institutions maintain their legitimacy with claims that they are responding the environmental crisis with initiatives capable of transforming our economy into something that could exist in perpetuity. The single most important factor in the continued failure of the vast majority of initiatives is the dismal lack of ecological awareness demonstrated by those who put these projects into practice. A technologically advanced civilization that is not ecologically informed simply has no long-term prospects; it will not even understand the ways in which it is destroying itself. Businesses are keen to project the image that they are working towards a circular economy and dramatically lowering both pollution and quantitaties of natural resources needed in the industrial cycle. Are these flashy claims an honest representation of progress, or simply a new front for business as usual?

Re-thinking Progress: The Circular Economy by made2bemadeagain – The Ellen MacArthur Foundation

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