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DRS-Sustainability SIG on Crisis

Our Design Research Society Sustainability Special Interest Group text was just published in Brand Magazine. This is what we wrote.

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Despite over 50 years of calls for action on ecological concerns, the design industry has not yet enacted a substantial response to the accelerating climate and ecological emergencies. Design institutions are slowly responding with attempts to bridge the gap between current design priorities and those that will enable the design of sustainable ways of living on the planet. How can designers facilitate responsive actions on a scale that could make a difference?

Sustainability discourses in design have grown and diversified. Originally preoccupied with the remediation of industry processes and practices to drive resource efficiencies (i.e., doing more with less), the field has broadened to recognise a much wider range of ways that design theory and practice can generate ecological value and social justice. This period of history has also witnessed alarming decreases in planetary health, evidenced through the overshoot of many ecological ‘planetary boundaries’ such as a warming climate, ocean acidification, high levels of biodiversity loss and extinctions. Alongside these physical impacts are a series of cultural ones found in the under-representation of voices from people with economic, health, security, and habitat poverties.

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The position and power of design education and design research for sustainability in creating both strategic and practical positive impact is fractured. The definition of ‘sustainability’ is a case in point. Shifting the language and activity of sustainability from responses favouring amelioration, ecoservice logics and resource efficiencies, to one instead revealed through critical ecological and social value, proves challenging.

Misappropriation of the terms ‘sustainability’ and ‘sustainable’ further complicate ways in which new knowledge and understanding can be adequately authenticated against pervasive green-washing, techno-fix reliance and oversimplifications of complex transition imperatives. We now face a critical, ecological turn. The crux of this shift for design research is the need to redefine this discipline space in transitionary times to create the ecological imagination of, and ways for design, as this century progresses.

The distinction between rigorous approaches to sustainable transitions and greenwashing discourses is a battleground in many design institutions. Outdated priorities, ideas and structures need to be challenged. The ways of thinking and doing that led to our current crises are not fit for purpose. Yet ecologically engaged perspectives are still poorly understood by many.

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Sexism and Greenwash

Greenwashing is normal in industries involved with unsustainable development. In my attempts to help highlight greenwashing, I have encountered resistance in the form of sexism. It seems that far too many people cannot recognise sexism when it is happening. In response to these experiences, I have made a handy graphic. Perhaps this tool will help identify it when it occurs so changes can be made.

The Seven Levels of Sexism diagram.

Thanks to the people @slowfactory and @theequalityinstitute for the inspiration. Also I need to say that as a white women, I have privileges denied to the majority of people on this planet. All the dynamics described above intersect with other types of discrimination faced by people of colour and other groups who face much more severe types of structural and systemic discrimination.

Feminist Pedagogy and Strategies of Denial

Enabling Difficult Confrontations for Intergeneration Solidarity and Survival

Presentation at the “Critical Pedagogies in the Neoliberal University: Expanding the Feminist Theme in the 21st century Art [and Design] School” session, #AAH2019 –Brighton, April 2019

I will use this paper to reflect on tensions between generations of feminists with a focus on strategies of denial and their toll on the goals of feminist movements. Feminists movements have historically worked (with varying degrees of success) to end the normalisation of denial of social injustices and symbolic, structural and/or actual violence. Feminist pedagogy must intensify challenges to various manifestations of denial responsible for reproducing patriarchy, oppressive social relations and ecocide.

This paper will address denial in the face of divisive issues such as the ‘me too’ movement; the precarity faced by younger generations; and the intersections of patriarchy and ecological crises. It is based on my personal experience as a daughter of a feminist academic in Canada, as a student at art school and my current role as lecturer in design education oriented towards social and environmental justice. Solidarity and even survival depends on our ability to make confrontations with disturbing information a catalyst for change. The lessons learned from feminist struggles inform the work of confronting oppressions, including those on issues of environment justice.

https://www.slideshare.net/ecolabs/slideshelf

My experiences have led me to the conclusion that many, if not most, oppressive behaviours and attitudes are rooted in various types of denial and unconscious bias. Both are deep seated forces that prevent many of us (and especially those with more privilege) from seeing things that disturb our self-image. Feminist strategies such as transformative learning help us negotiate these difficult confrontations. These are needed now more than ever in higher education and beyond. Unfortunately, neoliberal modes of governance all but destroy opportunities for transformative learning.

https://www.slideshare.net/ecolabs/slideshelf

Design as Symbolic Violence. Design for Social Justice. A Conversation @DRS2016uk

This conversation will take place at Future Focused Thinking, the Design Research Society conference in Brighton in June 2016.

Design embeds ideas in communication and artefacts in subtle and psychologically powerful ways. Sociologist Pierre Bourdieu coined the term symbolic violence to describe how powerful ideologies, priorities, values and even sensibilities are constructed and reproduced through cultural institutions, processes and practices. Through symbolic violence, individuals learn to consider unjust conditions as natural and even come to value customs and ideas that are oppressive. Symbolic violence normalises structural violence and enables real violence to take place, often preceding it and later justifying it. Feminist, class, race and indigenous scholars and activists describe how oppressions (how patriarchy, racism, colonialism, etc.) exist within institutions and structures, and also within cultural practices that embed ideologies into everyday life.

The theory of symbolic violence sheds light on how design can function to naturalise oppressions, and then obfuscate power relations around this process. Through symbolic violence, design can function as an enabler for the exploitation of certain groups of people and the environment they depend on to live. Design functions as symbolic violence when it is involved with the creation and reproduction of ideas and practices that result in structural and other types of violence. Breaking symbolic violence involves discovering how these processes work and building capacities to challenge and transform dysfunctional ideologies, structures and institutions.

Organizing questions

1. How do designers participate in symbolic violence?
2. How can designers reveal and undo symbolic violence?

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Design/Ecology/Politics: Towards the Ecocene

DEP cover

Today I signed a contract with Bloomsbury Academic Publishers for a book called Design/ Ecology/ Politics: Towards the Ecocene, due to be published 2018.

Design/Ecology/Politics describes a powerful role for design making sustainable ways of living – but only once informed by ecological literacy and critical perspectives. Instead, the design industry normatively perpetuates unsustainable development. When design does engage with issues of sustainability, this engagement typically remains shallow due to the narrow basis of analysis in design education and theory. The situation is made more severe by design cultures which claim to be apolitical. Where design theory fails to recognise the historical roots of unsustainable practice, it reproduces old errors. New ecologically informed design strategies hold promise only when incorporated into a larger project of political change.

Bringing design, ecological and socio-political theory together, I describe how power relations are constructed, reproduced and obfuscated by design in ways which often cause environmental and social harms. Communication design can function to either conceal or reveal the ecological and social impacts of current modes of production. Revealing these dynamics creates new possibilities for transformative practice. This change-making potential of design is dependent on deep-reaching analysis of the problems design attempts to address. Ecologically literate and critically engaged design is a practice primed to facilitate the creation of sustainable and just futures. With this foundation, designers can make sustainability not only possible, but desirable.

 

It will be available in February 2018 for £19.99.

Visualizing the Environment and the Politics of Representation

sea ice volume12:00 – 1:00 PM, 16 April 2014. Center for Science & Technology Policy Research Noontime SeminarSpring 2014 Series.

Institute of Behavioral Sciences, 155 B  (webcast live). Grandview Avenue. University of Colorado in Boulder.

This talk will introduce the many ways that images work to communicate environment issues. With the rise of data visualization, new mapping strategies, network visualizations and other types of information design, images are increasingly being mobilized to support environmental learning. Images can be powerful tools capable of supporting public understanding of the environment while also potentially influencing behavior and social norms. Images can work to make complex information accessible in ways that are especially well suited for environmental communication since they have the unique ability to reveal relationships, patterns, dynamics and causality in complex socio-ecological systems. On the other hand, within the politically and ideologically loaded terrain of environmental communication, images are also capable of concealing tensions, complexities and interests behind environment problems. Images are regularly used to reproduce the perspectives of powerful interests, often in ways that obscure environmental circumstances and the consequences of various types of industrial development and consumption patterns. Visual representation of the environment embodies political and philosophical assumptions about the capacity of the natural world to sustain continued abuse along with other associated notions of human-nature relations. This talk will examine how images are used to both reveal and conceal environmental circumstances with examples of particularly effective, politicized and/or disingenuous visualizations of the environment.

 

Design vs. the Design Industry – Paper for the DRS 2014

Design vs. The Design IndustryPaper to be presented at Design Research Society’s conference DRS 2014.

Design can be understood as a practice that evolves as new cognitive and perceptual capacities enable a greater understanding of complexity, context and system dynamics. These emergent capacities create greater potential for social and technological innovation. This paper will argue that despite emergent skills, designers are not able to effectively address contemporary problems in a sustainable manner due to the systemic priorities of the design industry. This paper theorises ‘design’ as the professional practice of creating new products, buildings, services and communication as a broader practice than the work that is produced within the ‘design industry’. The design industry operates according to highly reductive feedback generated by capitalism that systemically ignores signals from the ecological and social systems. The exclusive focus on profit results in distortions of knowledge and reason undermining prospects for the design of long-term prosperity within the context of the current political/economic regime.

Download the paper here.

The Guardian (temporarily) redefined ‘environmental terrorism’ (but eventually amended the article)

earth_first_united_for_protecting_the_earth

*Update* The EarthFirst! logo has now been removed from The Guardian article. 

Last Friday The Guardian published an article where the author unfairly accused the radical environmental social movement EarthFirst! of terrorist activity committed in Switzerland and Mexico by two other groups. Not only was there no evidence that EarthFirst! was involved with the attacks on nanotechnology labs, but two other groups had already claimed responsibility. Clearly the author, physicist Michele Catanzaro, was keen to use these attacks to discredit radical ecological social movements.

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Review of DRS//CUMULUS Oslo 2013 – 2nd International Conference for Design Education Researchers

Designing Learning for Tomorrow: Design Education from Kindergarten to PhD
DRS//CUMULUS Oslo 2013 – 2nd International Conference for Design Education Researchers

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Oslo Opera House and skyline

I travelled to the DRS//CUMULUS Oslo 2013 – 2nd International Conference for Design Education Researchers with some trepidation. While I have high expectations of the content produced by the Design Research Society (DRS) and was already intrigued by some of the papers and keynotes, my concerns emerged from what I am witnessing in design education in the UK. I was travelling to Oslo supported by a crowd funding campaign rather than the institution where I had been working when I wrote my paper. As an advocate of sustainability literacy and an early career researcher witnessing (and feeling) the impact of the austerity agenda in higher education in the UK, I wondered if the conference would rise to the challenge of confronting the most serious issues in design education.

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EcoLabs: Ecoliteracy at the Manchester International Festival

RED-ARROWEcological Literacy at MIF

Dr. Boehnert from EcoLabs will be talking how ecological literacy transforms the ways we understand sustainability at a free public talk for the The Biospheric Project at the Manchester International Festival.

Thurs 11 July
6-8pm
Designing the City

Designing the City considers how innovative design and architecture can tackle the need for more sustainable and ecologically efficient cities.  Our speakers Jody Boehnert from Eco-Labs and Michael Pawlyn from Exploration Architecture, will discuss their different approaches to embedding ecological principals into education and using nature’s models within architecture through bio-mimicry. Chair: Gavin Elliott Chair of BDP Manchester

 

Design Culture Salon 3 – Design Activism: how does it change things?

Design Culture Salon

Tuesday 26 February 1900h-2030h
Hochhauser Auditorium, Sackler Centre, V&A

Panelists:
Jody Boehnert (EcoLabs)
Jonathan Chapman (University of Brighton)
Noel Douglas (Occupy Design)
Paul Micklethwaite (Kingston University)

Climate change, resource scarcity, economic crisis and struggles for social justice have given rise to new movements in design that seek more than creative and commercial fulfilment. What models of design practice support this? How might design work with other activist practices? What role do universities and museums have? How can design activism work with marginality?

Free, but booking is essential:: http://www.vam.ac.uk/whatson/event/1971/date/20130226/

The Panel

Jody Boehnert is an environmental communicator, designer, educator and activist who lives in Brixton. She is founding director of EcoLabs (http://eco-labs.org)
– a non-profit studio visualising complex environmental issues and recently completed an Arts and Humanities Research Council funded PhD titled: ‘The Visual Communication of Ecological Literacy: Design, Learning and Emergent Ecological Perception’ at the University of Brighton…

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A Critical Look at RSA and TSB’s ‘New Designs for A Circular Economy’

In the UK social institutions maintain their legitimacy with claims that they are responding the environmental crisis with initiatives capable of transforming our economy into something that could exist in perpetuity. The single most important factor in the continued failure of the vast majority of initiatives is the dismal lack of ecological awareness demonstrated by those who put these projects into practice. A technologically advanced civilization that is not ecologically informed simply has no long-term prospects; it will not even understand the ways in which it is destroying itself. Businesses are keen to project the image that they are working towards a circular economy and dramatically lowering both pollution and quantitaties of natural resources needed in the industrial cycle. Are these flashy claims an honest representation of progress, or simply a new front for business as usual?

Re-thinking Progress: The Circular Economy by made2bemadeagain – The Ellen MacArthur Foundation

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Visualising the Economic System – and Alternatives

Over the past six months I have been helping Occupy Design UK explore how design can be used to facilitate popular education on the structural causes of the recent economic crisis. During the London Design Festival we held an event at the V&A called ‘Exposing the 1% and De-branding the City’ where we examined information graphics and animations that illustrate the complexity of our economic system and exactly what went so wrong in the recent credit crisis. The following visualisations expose the dynamics and structural problems within the current economic system and propose what we can do to create a more resilient system for long-term prosperity, social justice and sustainability.

Crises of Capitalism. RSA Animate. Cognitive Media.

This animation features Marxist historian David Harvey’s analysis of the structural causes of the economic crisis and the role of crisis in the history of capitalism. Here animation studio Cognitive Media use the Monopoly metaphor that the Occupy Movement has also repeatedly used to describe the systemic dynamics of capitalism (another example can be found below). This video presents an overview of the contradictions of the capitalism system. While the Royal Society of Arts funded this animation, Harvey’s interpretation of the causes economic crisis remains marginal in mainstream economic discourse. The Occupy Movement has successfully created at least some discursive space in mainstream media for radical critiques such as this one.

Capitalism_as_pyramid

Capitalism is a Pyramid Scheme

CrimethInc. Workers’ Collective and Packard Jennings. Pdf back of poster.

Pyramid_of_capitalist_system

The poster included with the CrimethInc. Workers’ Collective book ‘Work’ is based on a classic illustration Continue reading

1990s Road Protests Sites Mapped

1990s Road Protests Sites in a larger map

Thanks to Tom Hiron who collect the list of the sites. We are still missing sites. Anyone interested in adding/correcting, please fill write in comments below.  I am interested in developing this project and need more information about which sites were won and which were lost. Feel free to add new sites to the map directly in Google Maps if you have this information. Also – where are the present spaces under threat?

The Role of Design in an Era of Crisis at V&A

Logo

The statement below introduces a seminar at the V&A on September 19th. I will also publish two statements on apolitical design. The events is free but booking is required. 

Does design practice today work for the common good? Are our cultural institutions serving the interests of common people and the planet? While capitalism imposes harsh austerity on the public – it is also increasing profits for elites, the 1%. This dynamic is a threat to democracy and our collective futures, but these dangers are camouflaged by the design industry and our cultural institutions that fail to take the crises we face seriously enough as we head toward unprecedented and irreversible ecocide brought on by the logic of profit for profits sake.

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